MY THERAPIST ASKS ME TO EXPLAIN MY RECURRING DREAMS (I&III).
By Chloë Hanson.
“When I think of faith, / I think of germs, particles / of goodness passed / from person to person…“
Playing with ants by Szabina Góré.
MY THERAPIST ASKS ME TO EXPLAIN
MY RECURRING DREAMS (I).
From behind the grill dad can’t see what happens in the playhouse.
An oven for mud pies. The place we ate live ants.
Neighbor Girl guarantees they taste like lemon.
A gravel table, the place for bodies laid out pink and raw,
pants pulled down to ankles. A place for memories
that become mythology with each dismissal.
A body weighted down by rocks won’t float,
even buoyed up by corpse bloat.
In the yard, Neighbor Girl’s dad chats with my dad.
They stab fingers throw cellophane wrappers
to get at the raw cow or chicken beneath. Blood blooms,
the wound cauterized on the grill. The neighborhood kids
huddle close, eager for their pound of flesh. Neighbor Girl
is first in line. Each pebble she placed in me worms
its way deeper, eating me from the inside out.
MY THERAPIST ASKS ME TO EXPLAIN
MY RECURRING DREAMS (III).
Each piece of Christ’s body
is glazed with oil
from fingertips
of members who take
first flesh: the balding Bishop,
his counselors in white
shirts shaped like empty
shopping bags, a toddler
whose mother, dressing five
others, left his hands unwashed.
When I think of faith,
I think of germs, particles
of goodness passed
from person to person,
alma influenza in each sacrament.
Twelve-year-old boys
huddle in sacred coat closets, rip
12-grain bread with their bare,
too-strong hands.
I have never once
trusted a boy’s hands,
not even scrubbed clean.
The Blood Pudding – May 28, 2026
Chloë Hanson earned her PhD in Creative Writing from the University of Tennessee, where she was mentored by Joy Harjo. Her work is featured or forthcoming in the Fairy Tale Review, Sweet: A Literary Confection, Glass: A Journal of Poetry, and The Rumpus, among others.
Artwork: Szabina Góré is a painter whose work explores inner psychological spaces through surreal interiors and children’s portraits. Working with encaustic wax on canvas, she creates layered, atmospheric compositions that evoke emotional stillness and subtle tension. Her paintings inhabit a space between memory, imagination, and introspection, inviting viewers into quiet, enigmatic worlds charged with emotional ambiguity. You can find more about her here.
