THE WILD COLONIAL, QUEER GAME NIGHT & Other Poems.
By Amanda Boyanowski-Morin.
“My yarn snagged the barstool as I twisted / to meet the face of the person I swore at. / She was ghost pipe, wintergreen berries and smelled / of juniper. I lost count.”
Atropos by Alessia Delvecchio.
THE WILD COLONIAL, QUEER GAME NIGHT
Walking worn wetland paths, unfurling
miles of wool, rarely dropping a stich
knitting project after project alone
through needle ice of New England Winter
slipper shells on muddy banks of Summers
snaking through the wilderness
I was home.
Useless here, in a bar
among people I wished
I belonged to.
I needed to cast on 80 stitches.
Start something new.
57, 58, 59,
“How do you Identify?”
the fuck?
Sorry!
I knit seven projects in this stone walled bar
before speaking aloud
I was the frantic clacking of needles, the embodiment
of overheard conversations,
the one generating her own forcefield in public.
When a project isn’t perfect, I start over.
Not by gently picking out a row or two below,
but tearing out and starting from scratch.
I am good at unraveling.
My yarn snagged the barstool as I twisted
to meet the face of the person I swore at.
She was ghost pipe, wintergreen berries and smelled
of juniper. I lost count. Loosened the stitches, wound
them back onto the ball of lichen colored yarn.
“So, how do you identify?”
I was 31 years old and I had never been asked before.
The unraveling began.
Even I knew My husband is home watching the kids
so I can figure that out
is a terrible pickup line so I stall.
Nimbo cumulous clouds form in my silence
darkening the interior of the bar, wetting
the air, condensing on rock
barometric pressure dropping
as I freeze
and I realize –
I never learned to tell the story
of how I came to understand who I could love.
I had no blooming shawl to protect me from conversation
so I chose to look up and really see this woman
which at least said enough to get her to sit.
I asked if she minded if I knit.
Twisted my silkworm fingers
and quickly cast on eighty stitches, enough for a hat,
starting from the beginning.
SKINNY DIPPING AT A CHRISTIAN CAMPGROUND
We tiptoed past parents
sleeping in their nylon domes,,
making our way to forbidden water.
Mesmerized by the glint of quarts
in gravel, the luminous blue of birch bark
in moonlight and how we still smelled
like Avon’s skin-so-soft insect repellent
after twenty-five cent cold camp showers.
There were rules: We would keep our underwear on.
The girls and I snuck down the boat launch,
they timidly slipped into the water to their waists
before taking their shirts and scampering bras off, tossing them
to me on shore and gesturing for me to come.
I stood, holding the warm cotton against myself.
Covering my clothed chest with their still-breathing clothes.
It’s just us girls. I saw the rope swing
braiding in the wind, the tip of it just grazing
the surface of the water, creating intricate patterns to distract
from their bodies, biolumiscent selkies
in the nearly full moon. Come on, get in.
Overwhelmed by their seal skins removed,
the curves of blooming breasts,
biting hips kissing the water,
the flickering of waves against them, I don’t remember
whether I took my shirt off,
joined them, or whether they got cold
and collected their shirts from the rack of my arms.
I just remember I was as wet
as they were and I stared
at that distant coil of twisting rope.
PIE
He counts grey hairs, gives up when he’s lost
in the numbers. A ten-year old’s game –
I imagine each a feather growing
from my crone’s head
witch wisdom sprouting
downy pigeon.
Mom, if your greys were fractions
I’m guessing 1/8. ¼ ? Perhaps, ½?
Why?
You’re too young.
He continues splicing
cleaving a part with his fingers
fresh home shave – sensation
a cold steel table
I have already flown away
on gusts of explanations of
deficiencies, genetics
hospitalizations frequent enough I simply
text him when I go
prefrontal cortex fired up
to bake intrusive thoughts of the pieces
of pie my skull will be sliced into –
an early death, autopsy when I die,
a crust singed when
the broiler accidentally set ablaze
charring the crystalized sugar on the
strawberry rhubarb
his favorite.
The Blood Pudding – December 7, 2024
Amanda Boyanowski-Morin is a poet, parent, and partner in Rhode Island. They can usually be found scrambling into vernal pools with their service dog, Rowan, and a backpack full of scopes and field guides. Amanda lives in Rhode Island and her work focuses mainly on the body and their relationship to the outdoors.
Artwork: Alessia Delvecchio is an Italian artist. Her art merges various art techniques such as: digital art, video art, installation, sculpture, photography, oil paintings with music and poetry. In a style that ranges from pop to surreal to conceptual, to awaken awareness of one’s spirituality. You can find more about her here.